Colin Johnson’s 1965 novel Wildcat Falling is cited as the “first Aboriginal novel.”
Johnson is one of many with a similar story, discovered in jail in a publicly funded arts program and recruited by the establishment.
Johnson's claim as an aboriginal person was rejected by the aboriginal community.
In the Australian Magazine, Johnson's sister stated that their ancestry was Irish and African American.
In 2003 distinguished historian Cassandra Pybus’s essay established that Colin Johnson was descended from an African American slave freed before abolition.
Pybus shows that race relations in the early colony were never a simple matter of white settlers versus black Aborigines.
Pybus documents slaves freed from British oppression during the American Revolution, including Australia’s first bushranger Black Caesar, and Billy Blue, the first ferryman on Sydney Harbour.
Colin Johnson (Mudrooroo) was groomed to manipulate public opinion, and the establishment appointed him as an aboriginal person, providing the stage for public propaganda and Bruce Pascoe used fabricated history incited disharmony.
This is not new, Vladimir Lenin's “Monumental Propaganda” used artists as a device to control the masses. Artists embraced the Bolshevik Revolution and the promise of new art for a new world.
Johnson's novels pit blacks against whites, and in a book about the ending of the world he describes the settlement of Australia as an “evil omen,” and Australian settlers as “white destroyers.”
Australians are very accepting and tolerant.
These propaganda artists subversive activities are funded by the Ministry of arts (lies) to create division, tension, confusion, and anger among peaceful Australians in order to undermine, disrupt, and sabotage the Australian nation for their documented insurrection agenda against the Australian people.
It must be stopped.